tetine are brazilian artists/musicians bruno verner and eliete mejorado and are stars of sao paulos avant garde music scene - uniting electronic music with brazilian dark sambas, performance art, spoken word, super 8 movies and whatever came into their heads. their musical influences range from bands such as throbbing gristle, peaches, tuxedomoon to kraftwerk, can, but it also incorporates heavily the more experimental side of brazilian musicians such as paulinho da viola, os mutantes, chico buarque or the tropicalists and rio baile funk artists. since 2002 they have lived and worked in london. three years ago they brought baile funk to the uk with their slum dunk radio show and subsequently with slum dunk presents funk carioca album. in 2005 they compiled the sexual life of the savages for soul jazz records - an album of obscure early 80s underground post punk from são paulo. in 2006 tetine played at the opening night of tropicalia - a revolution in brazilian culture - at barbican centre alongside brazilian multi-artist assume vivid astrofocus.

local action kick off 2012 with a pair of vinyl-only tracks by dj q, including the massively hyped brandy & coke.qs a regular dj on londons radio 1xtra, a legend in the uks bassline house scene, and his remix of wooo riddim (released on butterz last year) is one of the best grime tracks of recent years. here he proves that he can make garage with a million times more swing and soul than all that future garage / post-dubstep stuff going around – basically, he’s the real deal. comes packaged on heavyweight red vinyl in a clear plastic sleeve with sticker. early support from brenmar, sinden, scratcha dva, mixmag, brodinski and those that know.

>vintage violence< is john cales first post-velvet underground album and was originally released in 1970. cales signature sound with the velvets was purposefully rough and aurally challenging, but >vintage violence< is a startlingly user-friendly piece of mature, intelligent pop with a smooth, satin finish.
the welsh rocker shows a pop craftsman at work on ten tracks that reference everything from country rock to beach boys harmonies to the band-style americana and beyond.
180 grams audiophile vinyl pressing.

nice price deal !!!

6 tracks on this final part of svrecas >obscur< series. 2 new tracks and old ones remixed by silent servant, skirt, regis and orphx. and its some serious techno business here! recommended!

second release on this promising french label.advanced industrial techno as we like it!inspired by an anticipated post-apocalyptic future,polar inertia formed their duo in 2010,they swiftly pointed themselves in the direction of an extremely contrasted music, both heavy and delicate. evoking a sci-fi end-of-the-world countdown scenario, the two artists of polar inertia decided to move aside,and make way for an imaginative and poetic world based on the words of a mysterious narrator. this is the first episode of polar inertia,and our second release on dement3d records.

domino feiert den 10. jahrestag der veröffentlichung des wegweisenden domino-debüts cold house der band mit einer neuveröffentlichung des albums als audiophile doppel-lp mit mp3 code. die band hood gründete sich 1990 in leeds und hat seitdem betörende und sehr spezielle musik auf neun alben und siebzehn singles veröffentlich, die die musikalische spielarten von post-rock über stark veränderte klaviermusik bis hin zu eiskalter electronica mit referenzen an talk talk und disco inferno abdeckt. die einflussreiche us-website pitchfork beschreibt hood als eine band, die diese art von ernsthafter innovativer musik macht von der die leute meinen, dass radiohead die speerspitze dieses genres sei, nur das hood weder wissen, noch im mindesten daran interessiert sind, dass sie diese speerspitze sind.

limited 1st edition in picture sleeve, 1st ever vinyl outing for these long lost post-industrial classics... this lp release on blackest ever black is a selection of the best black rain instrumentals from those 94-95 sessions: seven richly atmospheric, brooding rhythm tracks that together constitute a lost classic of post-industrial music, and a genuine cyberpunk artefact, remastered and cut to vinyl for the very first time

mannequin is sincerly proud to announce the second volume of the much acclaimed italian new wave italian compilation. danza meccanica is the latest, unmissable chapter in the story of italian post punk - the less traditionally rock branch. it outlines the approach taken by ten more or less unknown groups who all deserve rediscovery and to be remembered alongside luckier outfits. ten tracks that spell out the manifesto of a scene fascinated by electronic innovation, a scene that used the sounds coming out of english labels like factory, 4ad and mute as a reference point. the grey atmospheres and raincoats of a still-divided berlin, and those of manchester, which along with sheffield produced sounds destined to inspire future generations of musicians and producers. limited edition of 500 copies, 2 inserts

after releasing one of this years most highly touted punk rock albums, make do and mend have decided to tone down their driving and blistering post-hardcore sound on the new acoustic ep >part and parcel<.
boasting three acoustic versions of songs from their breakthrough debut full-length end measured mile as well as a touche amore cover, and two brand new songs, part and parcel has been on the bands mind for quite some time. >it s something we have talked about doing for a while,< admits vocalist/guitarist james carroll. >we wanted to explore the versatility of our songs and also explore our boundaries as songwriters.<

on this white label, we bring together two of the best producers in the uk to give there perspective of the work of sbtrkt. the ratio of quality to quantity in the braiden repertoire is disproportionately weighted in favour of quality. his debut release >the alps<, on joy orbisons label doldrums, certified him as a meticulous detailed producer. if youve heard is rinse fm show, youll have enjoyed the intensity and breadth of his perspective. this musicological take on sbtrkts >pharaohs< recontextualises roses gabor afro-futuristic vocals line in a more genuinely space-age industrial club sphere. the darker edge to lil silva is just the baddest of all uk house producers. his uk funky background has sheltered him from the hype lauded upon the flavour of the month post-dubstep producers of his generation. as a result, hes continued to garner respect from all sides, from the garage scene to the tech house scene. his treatment of >living like i do< takes his mate samphas vocal and adds a jerk discord to an already tense and dramatic vocal performance. his trademark 2-note bassline presents itself with its usual menace, ensuring waistlines to react promptly.

nach veröffentlichungen auf planet mu, black acre, super und der letztjährigen ninja tune ep >visual acuity< veröffentlicht der junge, hochtalentierte produzent raffertie alias benjamin stefanski nun seine zweite ep auf dem londoner label. musikalisch gelingt ihm auf den drei brandneuen tracks ein spannender bogen zwischen post dubstep und electronica. 2012 soll auch endlich sein debütalbum via ninja tune erscheinen!

ltd coloured edition!! with catalog number 006 another techno legend joins the killekill family. neil landstrumm is with no doubt one of the big heroes of techno. with several albums and uncount-able singles released on renowned labels like tresor, peacefrog and planet &#956,,,, he has definitely written techno history. and this does not even count in his own label scandinavia, which released music of high prolific techno artists such as cristian vogel, tobias schmidt, adam x and many more. although having produced his first records in the early nineties neil landstrumm is in no way an old school producer! he has produced a few top notch dubstep records in the last years (released on planet &#956,,,) and is just now being one of the producers pushing the boundaries of the post dubstep uk bass sound and is also being featured on the nonplus label being run by no one else but boddika. for killekill neil landstrumm has delivered a handful of tracks which combine his typical dirty techno sound with the aesthetics of uk bass. extremely funky and with a big drop of acid they cross over electro, techno and even hip hop and therewith fit perfectly to the sound of our label. the co-production of weirdo mastermind si begg on touch it just adds the icing on the cake.

with catalog number 006 another techno legend joins the killekill family. neil landstrumm is with no doubt one of the big heroes of techno. with several albums and uncount-able singles released on renowned labels like tresor, peacefrog and planet &#956,,, he has definitely written techno history. and this does not even count in his own label scandinavia, which released music of high prolific techno artists such as cristian vogel, tobias schmidt, adam x and many more. although having produced his first records in the early nineties neil landstrumm is in no way an old school producer! he has produced a few top notch dubstep records in the last years (released on planet &#956,,) and is just now being one of the producers pushing the boundaries of the post dubstep uk bass sound and is also being featured on the nonplus label being run by no one else but boddika. for killekill neil landstrumm has delivered a handful of tracks which combine his typical dirty techno sound with the aesthetics of uk bass. extremely funky and with a big drop of acid they cross over electro, techno and even hip hop and therewith fit perfectly to the sound of our label. the co-production of weirdo mastermind si begg on touch it just adds the icing on the cake.

its now the turn of shapednoise for features series, and to complete this ep made of pure adrenaline theres the remix of the well known dino sabatini (outis music,sonic groove, prologue). shapednoise, one of the youngest and most promising artists of the techno scene, is based in berlin, fully living the repitch recordings project. his musical background is really wide, and you can notice it listening to his productions, a futuristic vision of the sound, with industrial elements and synthesizers characterizing his sonority. the second act of the series starts with white light white head: an out of ordinary track, an unusual beat, techno futuristic, that flows into a neo-industrial sound, with soundscapes that make it mental, but at the same time a post-apocalyptic dancefloor hit. dino sabatinis version hypnotizes us, manipulates shapednoises sounds las only he can do, with his incomparable personality, rhythmics and drone evolving until the end of a trip to the edge of reality. cosmic landscapes (the tiltle already tells a lot), is a track with very powerful rhythmics, for the lovers of straight-techno. shapednoise, an artist to absolutely keep an eyes on this year. also this time the artwork of pasquale ascione makes its part: surreal, unique, making you wondering where this faces come from, maybe from our dreams.features series is a whole of musicalities where images and imaginary interpenetrate. supported and played by norman nodge, perc, samuli kemppi, jonas kopp, marcel dettmann, adam x, tommy four seven, lucy, dvs1, pfirter and many others!

zopelar is one of our dearest local prodigies. hailing from a small-town at the heart of brasil and devoting his life to music from an early age, his love for this artform grew stronger as he explored the myriad layers that sedimented into today s pop. further developments led him to a classical training in the craft and the result is a burgeoning trajectory to which this ep is a crucial moment. one marked by the inflection on his approach, until then heavily influenced synth pop and post punk to the epiphany that followed his discovery of electronic dance music. a discovery that is translated to perfection, both conceptually and emotionally, by the title track of this ep, >falling in love<.

haunting, post-house deconstruction from russian outsider neotnas. >that day< is vocal dance music for lost souls, disparaging practical compromise and sunny chord progressions for a bones-bare, ruthlessly sincere interrogation of hopelessness, apathy and ultimate transcendence. suppressed waves of orchestral melancholia pass through entrancing heroin-paced percussive mechanics, unveiling the cavernous sprawl of neotnas masterful production. casting an icy shadow of depth and despair that is not easily shaken, four by fog lends his unexpectedly beautiful vocals to the project, proving the axiom >if you dont have the key, just break the lock<.

trash talk ist eine weitere heiße band des us-labels true panther sounds - anarchisch und energetisch bis zum anschlag. awake ist ihre jüngste 7inch ep, bestehend aus fünf tracks. irgendwo zwischen post-hardcore, grunge, sludge und thrash!

played and supported by len faki,adam x,lucy,perc,shifted,norman nodge,and,truncate (audio injection),samuel l session,jeroen search,dino sabatini,electric indigo,obtane,cedrik,dadub,bcr boys,ascion and more.there are artists who have the ability to make metal and industrial whatever they touch. the ability to live through their music, post-nuclear atmosphere that suggest a distant near future. shapednoise was chosen for this! he is the artist of second vinyl (vinyl only) of the label personally managed by freddy k. already his first productions on his repitch (with d. carbone and ascion) and other labels, have demonstrated the value. the young artist here shows two devastating tracks.

witness the second coming of this mysterious italian producer with shocks ii, totally abandoning the conventions of dance music with three more astonishing tracks comprised of heavily layered sounds, tape loops, loose percussion and meandering guitars. in his post-modern approach, shocks orchestrates a melding of sounds musical and non, beautiful in their a-tonal harmony, obliterating any linkage to original context and leading us on a road to nowhere.

drew lustman aka faltydl veröffentlicht seine mit spannung erwartete erste ep auf ninja tune. die vier tracks des derzeit schwer gehypten, in new york lebenden produzenten, bewegen sich zwischen electronica, post-dubstep, rave und deepem techno! faltydl remixte bereits größen wie the xx, mount kimbie, photek, scuba und anthony shake shakir!

despite the post-industrial label often affixed to factory floor, there is a greater complexity of sound within the bands music that defies such facile descriptions. yes, there are rigid, fixed beats, and other sounds from the manufacturing plant, as suggested by the trios moniker. but there is also an underlying danceability that belies the seeming austerity of the sound, a hint at warmth that cuts through the permafrozen exterior. that curious balance has paid endless dividends thus far: they have been remixed by producer gavin russom, liars angus andrew and no ages dean allen, remixed and released by optimo, remixed and collaborated live with throbbing gristle legend chris carter, and remixed and produced (!) by joy division and new orders stephen morris. its been a whirlwind few years in terms of musical accolades, and factory floors dfa debut is a glimpse into why.

glass tear groove is the new concept release from drum machine rookie, inkswel. a follow up to the random yet bubbling >get to my party< release, this ep cohesively mashes together drum machine sounds and new wave funk tendencies. the title track featuring vocal funkster zackey force funk (baron zen/jellphonic/mike gao) brings forth a timeless love song vibe into inkswels popping and locking approach to song composition. >good times< is inkswels ode to post disco and pre house sounds, fuzzy yamaha synth stabs and watery chords. backed with the bonus beat vibe of >whos fooling who<, a stand alone banger for beat heads and party animals. also packaged with stellar remix work from ppu/superior elevation s tom noble aka disco tom.

hot off the heals of their debut >we hunt buffalo now<, the soft rocks gang dishes out >magic milk<, and utterly sleazy weekend dancefloor monster serving as the second single in the series surrounding their imminent debut album, >the curse of soft rocks<. guest vocals are once again provided by san francisco post-punk hero jorge socarras (vocalist of indoor life and songwriter for patrick cowley). remix duties on side-b are provided this time by washington dcs rising stars the beautiful swimmers. their mid-tempo coconut dub takes the percussive nuances that are deep in the original and made them centerpiece, surrounding it all with loose house instrumentation that oddly achieves a tropical vibe.

after years, this vinyl-wielding 4-piece originating from brighton — the one and only soft rocks — have finally committed their collective wit to a slew of original tunes. >we hunt buffalo now< is a punky dub monster serving as the first single in a series surrounding their = imminent debut album, >the curse of soft rocks<. in an age where any laptop-savvy poseur can upload their bland nu-disco or faux-chi-house directly to the cesspool of digitally downloadable fodder, it is more than refreshing to hear this cheeky bunch blending a mixed bag of instrumentation and obscure influences so recklessly. guest vocals are provided by san francisco post-punk hero jorge socarras (vocalist of indoor life and songwriter for patrick cowley). in case that wasnt enough, flip her over for the genius remix by andrew weatherall, a bonafide glam stomper that slaps you across the face with a fuzzy bassline and greaseball guitar chords. pure class.

the strut label returns with a brand new vinyl edition of one of the imprints most in-demand series, disco not disco, exploring original anthems and rarities from the world of reactionary 1970s post-punk and leftfield disco.
with the original two compilations released at the turn of the decade as a new wave of bands like the rapture and lcd soundsystem drew on the musics influence, disco not disco has since been adopted in its own right as a term to describe a whole genre. the compilation is more timely than ever in 2011 as a reference point for a burgeoning mainstream scene.
the new edition moves from new york classics by konk and bill laswells material to early detroit machine music, belgian new beat and a healthy dose of uk originals from shriekback, quando quango and more on seminal labels like y and factory. watch out too for rare gems from unexpected sources including japanese electronic pioneers yellow magic orchestra and 70s prog collective isotope.
disco not disco is packaged in a deluxe 2lp gatefold with featuring sleeve notes by bill brewster, author of >last night a dj saved my life<, extensive track by track notes and rare photos.

neu, anders, toll ... so kanns weiter gehen

pünktlich zum tourstart melden sich die schotten mit einer neuen ep zurück, die sich musikalisch und soundtechnisch deutlich vom aktuellen top-30 album hardcore will never die but you will abgrenzt. so basiert der opener get to france auf piano und streichern und verzichtet auf die typischen breitwandgitarren. auch die weiteren songs erweitern jeweils den klassischen post-rock um neue spielarten, ohne auf den mogwai-typischen kopfkino-effekt verzichten zu müssen. zuhören, eintauchen und diese sagenhafte musik genießen. das vinyl erscheint inclusive downloadcode!

nice price deal !!! following critically acclaimed releases with mordant music and further records earlier this year, ekoplekz delivers his first album for punch drunk.
dispensing entirely with notions of accessibility and dancefloor friendliness, >intrusive incidentalz vol.1< is a 12 track collection of dark, oppressive atmospheres and violently unstable interludes, developed through studio improvisation and inspired by childhood memories of terrifying electronic soundtrack music from the 1970s, yet combined with a post-dubstep sensibility and a sense of dread informed by the social, economic and political climate of life in 2011. a bleak retro-futurist fantasy, or oblique soundtrack for a broken britain? the truth probably lies somewhere between the two.

the new outing on discofil is a mindblowing record on transparent vinyl. its curated by optimo legend jd twitch, a man with, needless to say, truly great taste. expect the best from genres containing words like: punk, wave, synth, beats, post and torch. support from todd terje, soft rocks, cosmo vitelli, dj rocca, chris duckenfield, in flagranti, headman & marius vaaried to name but a few.

how do you follow-up last years monster mr.spock? of course with something even more ghetto, more dirty and more fun. lezgo is the 2nd collaboration between justin martin and ardalan, a curious bay area duo of master and apprentice that seems to be magic in the studio. this time they delve deep into the footwork meets house sound delivering cool r&b respites inside mega booty grooves for 3 minutes then letting down the hammer on the kick drum in the finale that kills every time. this is the type of tune that gets everyone moving and smiling and makes you wish you had 10 of them just like it in your bag. i ve played this to every type of crowd from techno chin scratchers to college kids, festival crowds, london know-it-alls, fund raising 40+ year olds, deep house heads, post dubsteppers, basement afterpartiers, hip-hop crews, disco kids and straight up ravers. it works everywhere and thats the sign of a big tune.

hot from the press... the new dolly. basic soul unit delivers some amazing warm techno tracks that are among the best works we have heard from him! bsu delivers his personal blend from chicago house, detroit techno, uk post detroit techno and delivers some extremely nice tracks that will not only work on the dancefloor but will go on repeat in the car stero aswell! nowone less then shed is on remix duty here... one of the most talented producers walking around in berlin right now. his mix comes with a rough attitude taking it into a direction of some of the famous early uk producers like aphex twin and global communications. it has been a while that we have been this excited about a remix. raw, deep and challenging... just how we like it!

the three tracker gets off with a lovely post basic channel, dub techno interpretation of a techno track for the warmer days. the b side does a great job in fusing soft beats and low key melodies with raw structure,drive and pressure. plangent records slowly becomes the face for the otherside of berlin techno together with a label such as giegling. gritty deep techno, with some influences from dubstep here and there... slowly moving away from the much abused detroit reference. definitely worth the listen!

we are happy to have a follow up of m.in on trapez ltd in collaboration with his fellow mate jonas fahz. the duo has released together already under their pseudonym of mucky pups on the trapez ltd 100 anniversary compilation in may. their a-side welcome to my house features again a jack track, produced and written this time by a whole team including: m.in, jonas fahz, peter eilmers and featuring nick maurer on vocals. bringing together old school and new school this was also the idea with m.in s debut a-side track teach me house . welcome to my house instead has more of a live jammed attitude to it... in this respect it is meaner, rougher and tougher as the predecessor! the alienated and twisted voice of nick maurer adds a psychedelic feeling that keeps you making funny faces to yourself . delgardo has been a long time favourite of m.in and jonas, it is an approved dance floor track, and indeed a slow moving... but funky rocker. fuelled by vocal snippets and fx sounds... the beat goes non stop beat non stop ! elephant blues is the favourite track of m.in and a bit of a mad and deadpan track. fitting very well to the actual chart breaking tunes that spread like a virus in the underground scene, this could be the most modern of the three tracks. equipped with a strong drive, whipping its percussion line into oblivion it is a sexy track. the original 3 tracks are Êsupported by alex piccini with a cool post detroit remix of welcome to my house and well as heartik who has speeded up elephant blues turning it into a cool techno- rush of a track.
played by: martin eyerer, stephan bodzin, timo maas, fra soler, orde meikle/ slam, hot chip/ felix, dj madskillz, paco osuna, steve lawler, ronan portela, lee pattison (deepgroove), patrick pulsinger, axel bartsch, beatamines, f.sonik, jules de pearl, taster peter, kiko, marcus sur, toni d, freska, zidan, scott byrne, danny tenaglia ...

aah, how we have missed them! the fine young gentlemen that are channel x, two of stil vor talents most active producers of meticulously crafted and deeply energetic tech-house smash hits. and just in time for the open-air season they now come back with two very convincing pieces of dancefloor art. first up is >little symphony<, an epic space opera that takes it cues from early 90s techno and mixes it up with post-modern grooves and beats. the wide and open spaces are filled with some very hymnal string patterns that are given a final treatment with a reverbed and high-pitched vocal sample. contrast that with the rather jittery beat and a subbass as deep as the frequencies will go and you got yourself a substantially clear bit of techno that is best imagined when it is dark and only some beams of air tell you where you are. channel x do not produce, they direct and all of the sounds are their actors! on the flip things get more light-hearted and set for the daylight hours as well. >steamboat willie< is a heavily sample-orientated swinging piece of jack. the rhythm guitar lead the way on top of a clap-based loop that sets the basis for some very jazzy interpretations along the way. clarinets, trumpets, percussions, brass, effects and even some talking vocal samples are all allowed to join in this hedonistic big band that is at play. this is one for the sunshine, this is one for the smiles on the faces, this is one to feel instantly good about yourself and everything around you. two very different tracks on this ep, but both equally stand out for themselves

remerc is no new face to the scene. he has been active for quite some time in the german techno scene and has recently remixed butchs track >muskatnuss< on the trapez ltd 100 anniversary compilation. he had his breakthrough in 2010 with the track >tiny calf< which ended up on the cocoon compilation >party animals< mixed by marco carola and nick curly. remerc opens his release with >ruhewolf<, a restless funkedelic rocker with a beat that juggles elements in a loose and totally cool way. the track is spiced up with elements of surreal bliss and could go on forever were there not the limitations of the vinyl. on the flipside we find an hanne & lore remix that tightens and fattens up the beat and pimps up the basslines. adding some twisted sounds ... making it a clubber par excellence. >just a bards tale< is a unique remerc track and stands out from all the productions he has done so far. here new wave coloured edgy vocals meet a post-detroit string-chord arrangement. sounds adventurous and daring? well it is to some degree... but recall >no more words< by carl craig from 1991 but executed in a dead modern way.

rie lambdoll, known for electronics duo crossbred and respected among activities in variety of fields and free form unit dub magus from beirut arising from the breakup of the post hardcore band beirut5 in the search of even more inspiring sounds. 10inch split coupled with two geniuses prominent in the increasingly chaotic japanese underground has come out!

danilo schneider and the hypnotic sound of his production pour mes amis is brouqades opener for the summer and comes with full support of tim xavier, butane, timo maas ... the elegant housy sound of >lecole< signals a post-winter, head-totoe thaw, with hook-lines and snatches of vocals glinting thru smart beats like the fi rst rays of spring. the buck remix is likewise summer-bound, catapulting shimmering fi ll-ins and a straight bass that are right on target! >sabliere< steps up with a clear beat, wakes up a bass-line and pushes ahead with percussion at its fl anks while horns and vocals swell, and fill-ins try with all their might to tame the rampant groove! yet steady and undeterred, the song keeps its eyes on the mainline: to shiver the speakers and hold the dancefloor hostage

the a side >feel my tears< is a warehouse burner on many levels. perfect for those summer evenings of drug loneliness.
b1 >courting< is a big room post-post-dustep uk garage-house stomper with a very loud snare drum.
the last track on the record how we do is a strange jazz techno house hybrid, taken from the early years album and now available on vinyl due to popular demand.

parallel to the release of his album >selected works techno< ananda starts on basmati his live series. published here are the tracks which have been established on the floors during his recent live sets. the tracks hold almost forgotten practice to deceive an audience: occasional imprecision is a stylistic device, the post production was skipped, unpolished rough edges remain. live series vol.1 is coming with the tracks >alpha< and >smash<. this year at least 3 more releases of this series will appear on basmati.

moodymann s 2011 official remixers provide a massive package of 4 urban raw sketches. extreme bass marked grooves ranging from chicago addiction to post-uk-garage, cruising on sweet house territories and touching the ground on minimal techno future landmarks.

forbidden friends is a new band from hutch harris, lead singer and mastermind of the thermals, portlands last great post-pop-punk-power trio. initially conceived as a way for lovers to send hidden messages in plain view (isnt there an app for that?), forbidden friends is now a legitimate, public work of art. the band is at once old fashioned (acoustic instruments, mono mixes), forward thinking (reference-less, incredibly danceable), and timeless (classic lyrical themes of love and desire.)
code for free download of this release included.

nice price deal !!! their last 12 inch elevator got plays from aeroplane and milo, now this new 12 inch drops with a remix from house producer nick chacona. also includes the original mix. on the flipside neurotic drum ensemble(john selway & ulysses) are joined by liquid liquids sal principato for a post punk remix of little countries.

anthem alert! we are proud to present the long-awaited debut from london-based producer nkc. there are two proper post-funky offerings on this release, including 8-bit tropical flavoured beast >marie< and brutal offbeat tech-step masterpiece >ghettotechno<. this essential piece of aural wonderment gets its official release in the form of 300 limited hand-stamped 12 inches. this is awkward movements third release and raises the bar once more.

>sis surpriz< is the third in debruits trilogy of eps which began with futuristic electro hip-hop workout >lets post funk< featuring jamie woon and ommas keith, and was followed by 2010s african highlife inspired spatio temporel. the trio of releases all feature 3-d artwork by german designer rainbowmonkey, and 3-d glasses are also included for your viewing pleasure. debruit is currently crafting a debut album based around trips to west africa and recordings with the regions indigenous musicians and traditional instruments. debruit has also been honing his live show which now incorporates a three-piece band, thumb pianos, african drums, highlife guitar, talk box and more, all accompanied by live visuals from rainbowmonkey. the new and improved live experience will be unveiled at the dates below and debruits album is due out later this year.

brilliant avant-electronics & heavy, dark techy post-dubstep rooted killer cuts - tip

third release for the neurhythmics label. once again, juergen provides 4 tracks for this ep, all of which are on the deeper side of detroit-inspired house music. be it the shimmering chords of >last day< or the loose and skipping organs of >headache<, each track shows a different side of juergens productions. noticeably heavier than the other tracks is >post reunion< where the floodgates open, and a haunting stab rides over the crescendo of cowbell driven disco-beats, with a bassline that is difficult not to be commanded by, and an overall journey feel that just doesnt want to stop

a two tracker of freshness from boxcutter, aka barry lynn, a producer who was taking chances - constantly mutating his dubstep based music, way before people started talking about post-dubstep. this single precedes his new album >the dissolve<, due out in april.